Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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BRUEGEL, Pieter the Elder
The Massacre of the Innocents (mk25)
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BRUEGEL, Pieter the Elder The Massacre of the Innocents (mk25)


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BRUEGEL, Pieter the Elder

Flemish Northern Renaissance Painter, ca.1525-1569 (born c. 1525, probably Breda, duchy of Brabant ?? died Sept. 5/9, 1569, Brussels) Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived. His sons, Peter Brueghel the Younger and Jan, the Elder Brueghel (both of whom restored to the name the h their father had abandoned), and later imitators carried his style into the 18th century.  Related Paintings of BRUEGEL, Pieter the Elder :. | Fall of the Rebel Angels | The Triumph of Death | The Tower of Babel f | Portrait of an Old Woman gfhgf | Gloomy Day gfh |
Related Artists:
Frans Luycx
Frans Luycx. Deutsch: Kaiser Ferdinand III. (1608-1657), Brustbild. Deutsch: um 1637/1638. Medium. Deutsch.
Jozef Marian Chelmonski
(November 7, 1849 - April 6, 1914) was a Polish painter. Chełmoeski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, Jozef studied in Warsaw Drawing Class (1867-1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmoeski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. There, he also studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmoeski visited the Polish Territories (Poland, as an independent country, did not exist during this time), Tatra Mountains and Ukraine. His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmoeski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased. From 1878 to 1887 Chełmoeski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in the village of Kuklewka Zarzeczna. Contact with his homeland and nature are qualities revealed in his artworks. From that time are the best liked, or the most beloved of Chełmoeski's paintings are paintings such as Partridge on the Snow, The Storks or Before Thunderstorm.
GRAMATICA, Antiveduto
Italian Baroque Era Painter, 1571-1626 Italian painter. He was from a Sienese family. According to Baglione, his parents were journeying from Siena to Rome when his mother went into labour and gave birth to him at an inn, an inconvenience that had been foreseen ('antiveduto') by his father and led to his unusual name. For a brief period he was a pupil of Giandomenico Angelini ( fl 1550-1600), under whom he painted small-scale works, mainly on copper. His prolific production of devotional paintings, portraits and copies of portraits won him swift success; in 1593 he became a member of the Accademia di S Luca and in 1604 of the Congregazione dei Virtuosi. His early portraits have not been identified; they included highly popular copies of a series of Famous Men then at the Villa Medici, works that Caravaggio probably also copied when he worked for some months in his studio on his arrival in Rome in 1592






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